No. 61 - Tom's Midnight Garden

Hi everyone! 

What a mad few weeks it's been! It would seem that a lot more things are approaching going back to some kind of normal, and the lockdown is easing up, which is super news! I personally can't wait to see my family again! 

In other news I have taken a job as an online English Lit tutor! So I have been cramming Treasure Island by Robert Louis Stevenson for my first lessons! I forgot how complicated the plot is! There are mutinies all over the place!!

Today however, I wanted to talk to you about a book I have a love/hate relationship with, Tom's Midnight Garden by Philippa Pearce. 

This book is a classic example of what is know in literature as 'time-slip fantasy'. This is a genre that uses the manipulation of time and chronology as the main feature of the plot. This usually happens through time-travel or dreaming. For me there are two definite types of 'time-slip fantasy', one that uses historical time periods, and another that uses fantasy worlds. The first category includes books such as Tom's Midnight Garden, A Traveller in Time by Allison Uttley, and The Greene Knowe books by Lucy Boston. The second kind of 'time-slips' can be found in books like Alice in Wonderland, Peter Pan, The Wizard of Oz and of course The Phantom Tollbooth. These are much more dream-like and are much less rooted in reality. They deal in kairos, or mythical time. They also usually hide some kind of moral or didactic theme.

I think Tom's Midnight Garden fits into both of these categories. It mixes the ideas of memory and dreaming, with time-travel back to the Victorian period. Let me tell you a bit more about the story.

Now quite fittingly for our times, Tom is effectively sent away to his aunt and uncles' flat to self-isolate! His brother has measles, and until they are sure Tom doesn't have it too he must stay in their flat in quarantine! Moving into a little flat is a bit of a shock for Tom who is used to running around his garden and climbing trees. He must content himself with reading books and gazing out of the window. The flats have no garden to explore you see, much to Tom's disappointment. Then one night he hears the clock in the hall downstairs strike thirteen! This becomes the signal for Kairos, or mystical time, to begin. Tom sneaks out the flat and downstairs into the entrance hall of the big house (which has been divided up into flats), and when he opens the back door he discovers a huge, wonderful, verdant garden. A garden that existed when the house was a family home. In this kairos garden Tom can fulfill all his outdoor fantasies, and some critics have likened it to Eden or Paradise. Tom can climb all the trees, run across the lawn and paddle in the passing river. And the most brilliant thing is he can't be seen! Or can he? Enter Hatty, a little girl contemporary with the garden. She can see Tom, and together them embark on a variety of garden based adventures. Now all this sounds quite exciting doesn't it, and from an analytical point of view this book is brilliant! It has it's feet firmly in an interesting genre, there are loads of comparisions to be made with other books, and there is lots of scope for deeper reading and theorising too. Something that, as you probably all know by now, I love! But don't get your hopes up! Tom's Midnight Garden would be the perfect book if the plot wasn't so dull!

Now, I'm really sorry to have to say that! I'm not often too negative about books on here, but I find Tom's Midnight Garden a bit meh, as the kids say! Every time I read it I hope it will be more lively than it is! And I feel awful because I know it's won awards! It won the Carnegie Medal in 1958 for heavens sake! Maybe I'm missing something? I just find the whole things a little pallid. The characters are very 2D, and despite the beautiful, engaging descriptions of the garden I never really feel like I am there. There is the risk that because I am familiar with other 'time-slip' books, it all feels a bit samey. As the story progresses we begin to see the link between the garden and time, and Tom discovers that in the real world no time passes while he is in the garden! Like in Alice in Wonderland, or Peter Pan, kairos has no effect on chronos (real chronological time). In my opinion, there is nothing exceptional about the way Pearce uses the 'time-slip' genre, so you can why I've been a little reluctant to get excited about this book. 

The kairos finally reveals itself as dream and memory at the end of the book. Every night when Tom goes to bed he is sharing his dreams with the old lady upstairs. Sounds odd doesn't it! But the old lady upstairs is Hatty! It makes sense, yet no sense at all, and we only find out in the very last few chapters. It almost feels like an add on, an extra bit of information to try and keep the reader hooked that little bit longer. Yes, all the loose ends tie up, but they just don't seem strong enough to me. The critic Peter Hollindale suggests that it is bringing the story back to a more rational adult perspective, something he says is not in keeping with the childhood spirit of the story*, and I agree. 

As interesting as some of the theories about this book are, for example the garden as means for prolonging childhood, the concepts of kairos and chronos, I think these are explored just as well in other examples of the 'time-slip fantasy' genre. If you are after an example of the genre that will also capture a child's imagination, I'm afraid to say Tom's Midnight Garden would not be my first pick. Instead I would choose Boston or Uttley's books, or even Alice in Wonderland. 

Thanks for reading, L x

*Peter Hollindale in AA300 Children Literature Study Guide for the Open University.

Next up, The Little White Horse by Elizabeth Goodge.

No. 69 - You're a Bad Man, Mr Gum!

So, we've finally hit the 60s on the list, and I must say I'm quite excited about the next ten books. There are some absolute classics, an anthology of poems and even a comic! I tend to only work through the list ten books at a time, so it's always a surprise to me when I look at the upcoming titles, and the next ten don't disappoint. Plus there are some favourites of mine on their way this time too! Talking of favourites, I've discovered a new one! The Mr Gum books by Andy Stanton! They're brilliant! 

The list just said 'Mr Gum', so I started at the beginning with You're a Bad Man, Mr Gum!, and I thoroughly enjoyed it! As you probably know, I am a great fan of books for reluctant readers. Anything that can spark the passion for reading in a child has my vote, and I think these books fit that bill exactly! Firstly they are small scale, which is less intimidating than a great big book, and the text itself doesn't fill the whole page either. I think sometimes the thought of having to read a whole book is actually what puts children off reading in the first place, and this books gets around that in lots of clever ways.

Along with small sections of text on each page, the style has a sort of handwritten, diary type feel to it. A bit like Liz Pichon's Tom Gates books the pages have a lived-in feel. There are big dirty smudges on the corners of the pages, illustrations in the margins, and often the text is handwritten, misaligned or in a different font. It is all very fluid and most importantly not very book-like! 

David Tazzyman's illustrations bring the non-book-y-ness to life! They have the spirit and animation of Quentin Blake's illustrations, and there's something a little bit Lauren Child about them too. They are cartoony, loose and seem to have a life of their own. Despite being made up of a few deft strokes of a pencil, they are 100% believable! You can smell the disheveled, stinker Mr Gum, and you can hear the flies buzzing around in Billy William the Third's Right Royal Meats butchers shop! It's gross, but awesome! And here again lies the draw of this book. It's disgusting! In a good way! This particular story involves rotten meat and dog poo! It has it's fair share of the grotesque. I mean the end papers have got dog poos, rat poison bottles and ketchup drawn on them!

But what I love most about this book is it's humour! It's surreal, and bizarre, and laugh out loud funny! In fact it's read out loud funny! I can imagine it going down very well in a classroom! It's silly, and that makes me smile. I love a silly book. One that appeals to both adults and children alike, with jokes and asides for everyone. This device is mostly found in picture books, so I was really pleased to see it venture out into the paper back. The Claude books by Alex T Smith have a similar feel too. More of the same please! It's a winner! And I knew I was on to a winner as soon as I read the opening page of You're a Bad Man, Mr Gum!. 

Stanton's descriptions often skip the obvious and move straight to the things that we would usually pass by, or that we just didn't need to know, and of course these are often the funniest. It's a bit like observational humour, it's the little things that you take for granted that are actually the most amusing. We are told that Mr Gum hates children, animals, and fun, so far these are all very standard things for a nasty character, but Stanton also thinks we ought to know that Mr Gum hates corn on the cob too. It's so unimportant that it's funny. I love it! Plus who lists 'scowling at things' as a hobby!? 

Another thing that Stanton does really well is an underwhelming observation. For example 'The moles raced back their holes at the speed of moles.', and Jake the dog is seen 'chomping up the flowers in his big doggy mouth to see what they tasted like (generally they tasted like flowers)'. It is touches like this that I think make this book so appealing, and much more fun to read aloud. As a child this would have really tickled me and made me want to read more. 

This first Mr Gum story has won two awards, and it's easy to see why. I was also excited to discover that Mr Gum and the Dancing Bear (book no. 5) had been made into a musical! Bizarre, but not unexpected. Once you've been in Mr Gum's world a while anything is possible. 

So, I suppose you've guessed that this has been one of my favourite books so far! And yes, I will be popping to the library and getting the next one, despite the fact I'm probably about 20 years older than the intended audience! Reading this book has reminded me of being little again. I loved a funny book as a child, and the more bizarre the better. I'd have devoured these had they been around then, so why not do it now and re-live that joy!

I'm going to leave you with a review of this book from Bryony aged 8, which I think totally sums up it's appeal: 

"Funniest book I have ever read and will ever read... When I read this to my mum she burst out laughing and nearly wet herself... When I had finished the book I wanted to read it all over again it was so good."* 

Thanks for reading, L x

Next time, it's The Family From One End Street by Eve Garnett.

*From the reviews in the front of You're a Bad Man, Mr Gum! by Andy Stanton, illustrated by David Tazzyman.  

No. 72 - The Worst Witch

This is me, aged 5 or 6, dressed up as the Worst Witch for World Book Day! An easy costume I suppose, it was basically my school uniform, with the addition of a sash and a small tiger (masquerading as Mildred’s tabby cat!)! Unoriginal you might say, but for me it was the perfect portrayal of a character that I loved.

Before I knew anything about Hogwarts, Harry, Ron and Hermione, I was having my magical education at Miss Cackles Academy for Witches, with Mildred and Maud. Like our favourite magical comrades, Mildred and Maud are often finding themselves in sticky situations and getting into trouble with a cast of magical teachers. The most formidable of all is of course Miss Hardbroom, who is just as mean as her name suggests.

The headteacher of the academy is the long suffering and rather sweet Miss Cackle, who is always disappointed to see Mildred in her office AGAIN.

Mildred Hubble, as Jill Murphy describes her, is ‘the Worst Witch’. She is always getting into scrapes, embarrassing herself in front of her classmates, casting the wrong spells and mixing the wrong potions. Delightfully, she is a real, flawed character, someone who makes mistakes, even though she is trying her very best. 

Although Mildred has her fair share of bad luck, Murphy is at pains to remind us that she has lots of friends and is well liked. At no point do we feel sorry for Mildred because she has a support network of friends behind her, including her wonderfully loyal bestie Maud. Maud is a dumpy little witch with glasses and bunches, and contrasts beautifully with the gangly, uncoordinated Mildred. They are the perfect double act.

There’s one more person you need to know about before I continue, and that is Ethel, who Murphy describes as being a bit smug and bossy! She is top of the class and so looks down on Mildred with great contempt. But this doesn’t bother Mildred, instead she has her ways of dealing with Ethel, which, in this book, involves turning her into a pig!

When I picked up The Worst Witch I couldn’t remember much about the story, but the characters were firmly imprinted in my head, and strangely so was the school song…. The tune, the words, everything. I can attribute that to either of two things,

1.       The audiobook, which I listened to a lot!

2.       The ITV children’s TV series – the original one, not the new one, not the Netflix one (apparently there is one), but the original one. We’re talking the same era as The Queen’s Nose, when children's TV was at it’s best!

Now I can’t remember which of these had the song in it, but I know that both these heavily influenced my love of the books and these characters. As always, as I started reading the book read itself to me, in the same phrasing, voices and nuances as the audiobook, something I always love when revisiting a book for this blog, as you’ll know. 

The story is short, but sweet, and has everything in it that you’d expect from a book set in a magical school. There’s broomstick flying, witch’s cats, potions class, people getting turned into animals, a threat to the cosy contentment of the school, and a Halloween celebration. Sound familiar, I think so. 

The story opens on the eve of the cat presentation, where all the first-year girls get presented with their witches familiar; a black kitten. Of course, Mildred being Mildred, ends up with the only tabby cat. After that there is a magical interlude, where we learn more about what the girls get up to at school, with Mildred and Maud accidentally creating an invisibility potion in a class test! As well as potions class there is also practice for the Halloween celebration’s broomstick flying display, which I love the sound of! Who wouldn’t pay to see a broomstick display team!? This is not so exciting for Mildred however, who after borrowing a spare broomstick from Ethel (alarm bells!!) for the display ends up bringing the whole team to the ground during the performance. Ethel of course, had tampered with the broom, a trick that seems quite popular with magical folk!

This is the low point in the story. Everyone is cross with Mildred for ruining the display, and disheartened she decides to run away. However, just outside the school grounds she encounters a coven of witches, led by Miss Cackle’s evil sister, who are intent on sneaking into the school and turning everyone into frogs! Mildred thinks fast, turning them all into snails and taking them back to school to show Miss Cackle and Miss Hardbroom. The story ends in true Philosopher’s Stone style, with Mildred being publicly praised for having saved the school.

I would thoroughly recommend this book, its sequels, and it’s TV adaptions to anyone, especially children aged between 6 and 11. This was magical education before it was cool; this was my Hogwarts. 

Thanks for reading, L x

Next up, 'Wolves' by Emily Gravett

No.73 - I Love You, Blue Kangaroo!

The blog hasn't really covered many picture books yet, but this is the second one running! I love picture books, the way the text and images can work together, or in some cases tell two totally different stories. For me, these are the most interesting, where the images can be read as one story, and the text as another, allowing for different abilities of reader, and of course a bit of imagination! However, there is no less value in picture books that are beautifully illustrated stories, where picture and text work together to tell the story and engage the reader or listener. A perfect example of this is Emma Chichester Clark's I Love You, Blue Kangaroo!

We've all had, or still have, a toy that we could never be without! Mine is Polo Bear, a white teddy with tartan ears and feet, and a little tartan bow tie! Polo has been on many an adventure with me, school trips away, holidays, and lots of other occasions too. He still sits at the end of my bed, and although he plays a much more static role to the one he did when I was a child, I know he'll always be there for me when I need him, and I sometimes still give him a little squeeze. Polo is my Blue Kangaroo. 

This picture book has become somewhat of a classic, published in 1998, it had been a constant influence on many children's bookshelves for the past 20 years. It is a story of love, friendship and unbreakable bonds. Lily, who I would say was about 4 or 5, loves her Blue Kangaroo, just as we've all loved our favourite toys. Every night she hugs him close and gives him all her love, until the Wild Brown Bear arrives. Lily now has to share her love with a new toy, and unfortunately poor Blue Kangaroo starts feeling a bit left out. Slowly more and more toys arrive for Lily from family and friends, until the Blue Kangaroo can barely fit into the bed each night! Then one night he is finally knocked out of bed! Feeling very sad he decides to snuggle up with Lily's baby brother instead. Like the Velveteen Rabbit in the last blog post, the Blue Kangaroo struggles to understand why he isn't always the toy of choice, and how he can become the favourite again. But to Lily the Blue Kangaroo will always be her favourite toy, and to use Margery Williams term, 'Real'. When faced with the idea of her brother having Blue Kangaroo Lily does something rather lovely. She gives her brother all her other new toys in return for having her kangaroo back. He will always be her favourite toy and she loves him dearly. 

As well as being a wonderfully endearing story, and having the loveliest illustrations, the story also uses lists and repetition to engage the reader or listener. When Lily snuggles up in bed each night her toys are listed, starting with the newest first and always ending with the Blue Kangaroo. This a wonderful device for encouraging 'reading' along. I can imagine the adult reader pointing to all the toys in the bed and naming each one with the child, using the repetition and rhythm of each name to help them remember what comes next. I love books like this, and think that this type of writing is especially valuable in encouraging a love of language and reading in the very young. 

Overall this is a very sweet book, with a touching sentiment. The illustrations are bright and bold, and the Blue Kangaroo, despite looking a little bit like a mouse, is very cute indeed! Coming to it as an adult reader I can totally understand the love that Lily has for her very favourite toy, and I bet if she were real, the 25 year old Lily would still have her Blue Kangaroo!

Thanks for reading, L x

Next up a firm favourite of mine, The Worst Witch by Jill Murphy. 

No.77 - The Sheep Pig

This is my last catch up post from 2017, after this we can get on with all the books 2018 has to offer!

I am aiming to read more books from the list than last year, 15 is my 2018 target! I'm looking forward to Ballet Shoes by Noel Streatfield, as the TV adaptation starring Emma Watson is just lovely! And one of my all time favourite books is coming up too, The Worst Witch by Jill Murphy! Alongside those beauties are offerings from Oliver Jeffers, Michael Rosen, J.M Barrie, and Anne Fine to look forward to. For now though, here are my thoughts on one of the loveliest books i've ever read!

I'm sure everyone has seen the film 'Babe', and even it's ridiculous sequel 'Babe: Pig in the City', so you'll all familiar with the little pig, raised by a sheep dog, who has affinity with sheep. Well let me tell you this, the film is lovely, but the book is even more wonderful!

Babe, so called because that's what his mother called him, is such a cutie! Won by Farmer Hogget in a 'guess the pig's weight' competition, he is taken home and adopted by loving sheep dog mummy Fly. Fly and her pups raise Babe as one of their own and soon Babe is convinced his raison d'etre is to heard sheep just like them!

This book oozes charm. Dick King-Smith knew how to write about animals, and about the unconditional love that exists between man and beast. In The Sheep Pig the most moving character development is most certainly the bond that builds between Farmer Hogget and Babe. To start with there is talk of eating the pig, which would have been the most obvious thing to do, yet the farmer can't quite bring himself to agree with his wife. As Babe becomes more and more 'dog-like' Farmer Hogget becomes quite fond of him, until eventually they have formed a bond as strong as a man and his dog. Farmer Hogget sees that Babe is more than just a pig, he is special.

Flowing through this book there is a strong message about believing and trusting in others. Fly and Farmer Hogget believe in Babe, and encourage him to become a sheep-pig. At no point is he told that he shouldn't. This is an important message that can be transferred into so many different situations. Just because he is a pig, doesn't mean he can't do a dog's job, especially if he is good at it. Take that sentence and replace it with sexist or racist connotations and you've got a life message for children everywhere; you can be whatever you want to be, and don't let anyone tell you otherwise!

Reading this book was an unexpected revelation. I knew the story, but I wasn't at all prepared for the emotional impact it would have on me. By the end I was almost in tears! There are certainly ups and downs in this book, high points and low points, but in just 135 pages this book says more than you could ever imagine when looking at the cover.

Thanks for reading, L x

No. 80 - Old Possum's Book of Practical Cats

This post marks a huge milestone in my book reading journey! Old Possum's Book of Practical Cats by T.S Eliot is number 80 on the list, which means that I am 20% of the way through my challenge! Hurrah! I'm really enjoying reading all the books, whether I've read them before or not. Coming up are some books that I fondly remember, and some that I've never even heard of, so that should be fun! I've also got a few other things up my sleeve too, so watch this space! 

T.S Eliot was one of the most famous poets, critics and playwrights of the twentieth century. Despite having written some of the most infleuntial poetry and prose works of that time, surprisingly his best selling book has been Old Possum's Book of Practical Cats! This intriguing work about the nature of cats started its life as a selection of poems created to entertain the children of Eliot's close friends. It was later published as a book by Faber, in 1939. I love the cover of the Faber edition above, being quite the fan of an Axel Scheffler drawing! 

These days I would say we are most familiar with the poems as being the lyrics used in Andrew Lloyd Webber's musical Cats, which was a very successful stage show indeed. So it was tricky to read the poems without putting them to the tunes that I knew! Especially Macavity! It helped to listen to T.S Eliot reading the poems himself, which you can do here! It's definitely worth a listen. 

In the 14 poems in this collection we meet an array of characters; Mr Mistoffelees the Original Conjuring Cat, Gus the Theatre Cat, Skimbleshanks the Railway Cat, Mungojerrie and Rumpleteaser, Jennyanydots, Rum Tum Tugger, the Jellicles Cats, Old Deuteronomy, the Pekes, the Pollicles, The Great Rumpuscat, Macavity the Mystery Cat, and Bustopher Jones the Cat About Town. By far the best thing about these poems is the amazing names Eliot has given to all the cats, and the way he talks about those names. In the first poem 'The Naming of Cats', he explains that cats have three names, an everyday name such as Peter, James or George (fair enough), then a name that's a little more extravagant than that, for example, Munkustrap or Bombularina (woah!!), and finally a name that only they know, and we will never find out! To my great pleasure, I have just read that Eliot was most certainly a 'cat person' and some of his cats had equally as marvellous and peculiar names! Eliot had cats called Pettipaws, Jellylorum, George Pushdragon, and Wiscus!*

This collection of poems was a little formal in language and tone due to its age, but other than that it was a great read. Each poem is a little cameo of the eccentric feline characters Eliot has dreamt up. My favourite by far is Gus the Theatre cat, who you can just imagine recounting his tales of the stage to a captive audience in a pub! I also love that Gus is short for Asparagus, another fabulous cat name! I would thoroughly recommend that there be a copy of Old Possum's Book of Practical Cats on every bookshelf! One like the Faber edition above would be perfect for older children (and adults of course!), and for younger ones I would recommend getting one or two of Arthur Robins's picture book versions, which focus on just one poem per book. So go forth and buy! 

Whilst I'm here talking to you all about poetry, I'd quickly like to say a few words about the importance of poetry for children. There have always been poetry anthologies for children, and fabulous children's poets out there, but for some reason prose has always had the upper hand. Poetry books are valid 'reading books' for children just as any other texts are, and I think sometimes we forget this. I was recently volunteering in my local library helping with the Summer Reading Challenge (anyone with children should get them down to the library and to sign them up asap, but more about that another time!). Whilst showing a little girl around the children's department she asked me if there were any poetry books? I'm ashamed to say that it almost took me by surprise, but then I realised that that was as valid as any of the other books I was showing her, and good on her for wanting to explore something more than a prose story. Aside from listening to poetry as a child, my main experience of it was when I got secondary school. Suddenly we were analysing metre, language and imagery, picking poems apart to see what they were made of. It became a chore, albeit one I actually quite enjoyed, but still associated with the stress of exams and grades. So, I suppose what I'm trying to say is that children should be encouraged to explore poetry for the fun of it, far before they reach the age where it becomes just another thing they need to master in order to jump through academic hoops. They need to be able to enjoy a poem just because of the way it sounds, and bask in the images that it conjures up in their imaginations, without having to analyse all the why's and how's. The Book Trust have a lovely list of their favourite poetry books for children here, which I recommend having a look through if you're interested. There's some great books on it, including Arthur Robins's version of Mr Mistoffelees, and Julia Donaldson's Crazy Mayonnaisy Mum, which is the poetry book that my little library visitor chose to take home. 

Thanks for reading, L x

Next time, it's The Little Prince by Antoine de Saint-Exupery. 

                                                                             

* This and some of the other information in this post came from a wonderful article by John Sutherland on the British Library website, which you can find here. It talks about the background and context of Old Possum's Book of Practical Cats and is well worth a read. Arthur Robins's

No.81 - The Hundred and One Dalmatians

I will begin with a word of warning, never, I repeat, NEVER trust a Disney film! As we’ve previously discovered in my post about Mary Poppins, Walt Disney changed everything! The characters you thought you knew are totally different when you read the book, even the story itself can be hard to recognise once you strip back the perky animation, catchy songs and overly polished storylines. So if you’re reading this humming “Cruella De Vil” (which I am!) then stop right now! There are no jazzy tunes in this story, just a tale of bereft doggy parents and the extent of their love!  Ladies and Gentlemen, I give you Dodie Smith’s The One Hundred and One Dalmatians, a classic of children's literature, not just a Disney film!

Now, I'm not criticising the Disney film, in fact it's one of my favs, but reading the book just makes you realise how many liberties Mr Disney took when he made his films. So let me start by telling you a few of the differences between the book and the beloved film.

Firstly, Perdita is not the mother of the puppies, this is instead a lovely dog called Missus. When Missus has 15 puppies and can't feed them all at once Perdita is brought in as a surrogate mother to half the pups. But her story is not a happy one. She is found starving on the side of the road, after setting out to find her puppies who have been stolen. So when Missus and Pongo's puppies are stolen too she goes through the grief all over again! You can see why Disney chose to leave this out of his film!

Secondly, the story is told mainly from the dogs point of view, in fact the humans barely even feature, and when they do they are referred to as the dogs 'pets', rather than the other way around. This is a nice touch, which gives the book a very different feel to the film. The animals in the book are cleverly anthropomorphised so that you follow their journey, and feel their emotions just as you would a group of human characters. My only complaint would be that, although written by a woman, the book is a little lacking in its portrayal of its female characters. Poor old Missus is as ditsy as they come!

One thing that doesn't differ from the film however, is the evilness of Cruella De Vil (I can't type her name without singing the song!)! She is horrid! In the book we are introduced to her long suffering husband, who is a furrier ( he makes furs), and we learn that she forces him to make furs out of anything she fancies! Unlike Cruella, he is not an evil mastermind, but stuck under the reign of his nasty wife! Another strange fact about Cruella is that she loves pepper, as one of the puppies finds out when he bites her and she tastes hot and peppery! Everything about her is vile and cruel, as her name suggests!

It turns out that Cruella is hoarding Dalmatian puppies at her ancestral home, Hell Hall. She is keeping them well fed and happy until they get big enough to be killed and skinned!! Using their own doggy communication system, the Twilight Barking (which you may remember from the film), Missus and Pongo discover that there puppies have been taken to the hall, and they set out to rescue them.... but come back with a lot more than they set out for!

This is a delightful book, and I would thoroughly recommend it to anyone! The characters are beautifully written and the language and tone is in no way condescending to it's young audience. It is quite a grown up book in many ways, but the story has all the appeal of a children's classic. And what's more, there's a sequel!

Thanks for reading, L x

Next up is a collections of poems, something new to the blog. I will be looking at Old Possum's Book of Practical Cats by T.S Elliott.

No.82 - Emil and the Detectives

Emil and the Detectives is a classic children's book that I had never heard of until I saw it in this list. I suppose that's because it's a German children's classic and having never really read translations I was yet to discover it. When I initially read the title I was interested in reading what I thought would be a child's adventure in the world of professional sleuthing. I pictured young Emil joining forces with a policeman or detective, or maybe even being the reason for the sleuthing in the first place! I was close, but no cigar!

Instead, Emil, who is unwittingly robbed on the train to Berlin, whilst he is sleeping, tracks down his thief on the streets of Berlin with help from a group of local boys. Emil and the Detectives has a undertone of Dicken's Oliver Twist, or the traditional boys books of the late 19th and early 20th century. It has the feeling of both a school story and an all boys adventure tale combined. There is espionage, a stake out, a thief with multiple identities, and a fair bit of intruige. The book takes a while to get into this, and to start with the prose style is rather staid due to its translation from German to English. My particular edition was translated in the 50s, but the book was actually first published in the UK in 1931. With the slow start I was initially a bit sceptical about this book. How is this a classic? It's so boring! No child would speak like that! He's such a goody goody! But, as the story developed I found myself enjoying the bizarre nature of Emil's adventure, with its dodgy looking criminal and its eccentric child characters! 

Intent of getting back his £7, Emil follows the suspicious looking Mr Grundeis (who looks every bit the spiv if the illustration is anything to go by!) off the train and into the middle of Berlin, a city where he has never been before. Soon enough though he is aided in his shadowing of the criminal by the brilliant Gustav, a boy with a motor horn! The horn is never explained but appears to be young Gustav's trademark and he goes around honking it all over the place! Gustav is the Artful Dodger to Emil's Oliver, and he soon rallies a whole group of boys keen to help Emil catch his thief! Once assembled they make a plan, which is engineered by the intelligent one, who of course wears glasses and is known as the professor! This book really has all the elements you'd expect from a boy's adventure story! However, the wild card in all this is Emil's cousin Pony, who is, shock horror, a girl! She dips in and out of the narrative, never fully included in the gang; though it is clear she has more bottle than some of the boys! It is hard to decide whether you should like Pony or not, she 's a bit pushy and pretentious, but also feisty and go getting, unlike the other female characters who are all a bit limp or overly domestic. Emil on the other hand is overly polite and moral, a little unworldly, and the boys make fun of his suit, yet he comes out as the hero of the story, despite being really quite a dull character! 

Although I had my initial doubts, I actually really enjoyed this book. I can see why it would be classed as a classic, as it has all the hallmarks of a popular book of its time. Personally, I enjoyed all the quirky characters and the slightly absurd nature of the story line! If you get past the slow start, then this book is a little gem! 

Thanks for reading, L x

Next time, it's The Hundred and One Dalmatians by Dodie Smith, which I am very much looking forward to reading! 

No.85 - The Wolves of Willoughby Chase

The Wolves of Willoughby Chase by Joan Aiken is a bizarre book. I'd describe it as a bit like Jacqueline Wilson's Hetty Feather, with hints of classic books such as The Secret Garden. Published in 1962, it also has stylistic echoes of Philippa Pearce's Tom's Midnight Garden, published just five years earlier. Aiken's book is set in a completely fictional era of British history, ruled over by Good King James III, in which the Channel Tunnel has already been built, allowing huge packs of wolves to come through the tunnel into Britain and cause havoc! You can see why I said it was bizarre now can't you!? The first half of the book is rife with wolf attacks, which reminded me of both Wuthering Heights and Dracula. I felt that this book was full of little nods to other texts, whether this was intentional or not I don't know, but it made it all the more enjoyable. 

The story is a dark and mysterious tale, following the misfortunes of young cousins Bonnie and Sylvia. Bonnie is the richer of the two cousins, living in a grand house called Willoughby Chase with everything she could possibly want, and kind, loving parents. Sylvia lives in a small room in London with her elderly aunt, who is struggling to cope with looking after both of them on her meagre income. She sends Sylvia to live with her brother, Bonnie's father, and so the story begins.

Bonnie's parents leave for warmer climes, and her father leaves the two girls, and the estate, in the care of the new governess, and his distant cousin, Miss Slighcarp, who is bad news!! I won't give too much away, but she has her sights on the Willoughby Chase fortune! She instantly transforms life at Willoughby Chase, and telling Bonnie her parents have both drowned, she sends the girls to a school for orphans in a nearby industrial town. Here they are treated terribly, and it was this part of the story that reminded me of Jacqueline Wilson's book about the foundling Hetty Feather. Bonnie reminded me of Hetty in her bold and unbreakable attitude towards this cruel life, plotting escape, keeping herself well fed and looking after Sylvia too, who becomes very ill. Bonnie and Sylvia are helped to escape by Simon, a boy who breeds geese on the Willoughby Chase estate. The three of them travel up to London (with the geese) to find Bonnie's father's solicitor and put everything to rights.

The characters in this book are all really endearing, and we see them change over their adventure, particularly Sylvia who goes from being a very meek and fragile girl, to strong and confident character. Like a Dicken's novel, some of the characters names echo their personality traits, something that I think is useful in novels for children, signposting which characters to side with, and which to dislike! The governess is called Miss Slighcarp, as I've already mentioned, indicating her sneaky, and indeed sly, characteristics, and her accomplice is a Mr Grimshaw, who sounds instantly nasty! Mrs Brisket is the lady that runs the home for orphan girls, and is also in on the plot to steal the fortune. Her name suggests to me a strict and sharp lady, perfect for cruelly disciplining innocent children! In contrast to these characters, the friendly characters in the book seem to have names that echo nature, something that is portrayed as a positive force throughout the book (apart from when the wolves are around!). Bonnie's parents are Lord and Lady Green, an obvious link to nature and the earth, and on their journey the children meet Mr Wilderness the herbalist and blacksmith, and Dr Field, who are both very helpful. Lastly there is Mr Gripe the solicitor, whose name initially indicates that he might be a bad character, and we are not sure who's side he is on until the very end. However, it turns out that he had no idea about the antics of Miss Slighcarp, Mr Grimshaw and Mrs Brisket, and so the whole thing was a bit of headache for him, hence the name Gripe of course! 

Despite being a rather bizarre concept, The Wolves of Willoughby Chase was a really enjoyable adventure story, with hints of other much loved children's books and adult novels woven into the narrative, and recognisable in the characters too. I would recommend this book for adults and children alike. It's a bit scary to start with, with all the wolves and mysterious men, but it becomes much more child friendly as the story goes on, and you end up really routing for the characters. 

Thanks for reading, L x

Next up, a classic picture book, Handa's Surprise.

No.86 - Babar The King

It's been a while since I posted anything on here and that's because I've been busy trying to get the first assignment of my MA in, and I am pleased to say that it's finally been posted on its merry way! The focus of the essay was Roald Dahl's classic Charlie and the Chocolate Factory, and I hope at some point to be able to share some my ideas with you. It's safe to say that after all that analysis, I will never view the book in the same way again, whether or not that's a good thing I'm yet to decide!

Anyway, to today's text, Babar the King, one of the Babar the Elephant stories, written and illustrated by Jean de Brunhoff in the 1930s. There are a total of seven Babar books, and the loveable elephant is famous world wide. Starting his life in French, Babar's tales have now been translated into 17 languages, and apparently there are 12 Babar shops in Japan! It's clear to see that this elephant has touched the hearts of many!

Babar The King is the third book in Brunhoff's series. In the two previous books Babar's mother is killed by poachers, he is raised by a kind old lady, he is crowned King of the Elephants, he marries his cousin, travels on his honeymoon in a hot air balloon, is stranded on a desert island, kidnapped and forced into a circus and finally he returns home to win the war against the Rhinos! Phew! The third book sees him settling down in the Land of the Elephants, building his own city called Celesteville (after his Queen), and ruling over his adoring subjects. Babar could be described as a sort of friendly dictator, and the book is not without implicit political undertones. You could say it displays elements of both Colonialism and Communism! 

All is well in the idyllic Celesteville (the closeness to the word celestial is no coincidence here I feel!). Life is good, Babar is a very kind dictator and his subject are happy with their lives, thriving in their new community. The book could go on being wonderfully pastoral and jolly, but no, it rather takes a turn for the worse i'm afraid! The Old Lady, who has been Babar's adopted mother figure, gets bitten by a snake, and is rushed to hospital! Thank goodness Babar had considered state funded medicine for his city! The Old Lady is soon in the care of Dr Capoulosse, but her condition is unstable, and Babar is told she may not make it! Cheery for a children's book that started out so nicely!

However, that is not all Babar has to worry about! On his way home he passes Cornelius's house, and sees that it's on fire and poor Cornelius is stuck on the upper floor!! But thank goodness Babar made sure his city had all the emergency services, because the fire brigade are there putting out the blaze, and rescuing Cornelius. Suffering from smoke inhalation and a nasty wound to the head Cornelius is taken to the hospital too. The fire, we are told, was started by Cornelius throwing a match towards his ashtray, missing, and setting his wastepaper bin alight! Surely a message about the perils of smoking!! 

Babar goes to bed very worried about his friends and in his dreams he is visited by Misfortune, and her other negative companions such as Despair, Anger and Discouragement! However, these are quickly followed by a gang of winged elephant angels who bring joy and happiness, and low and behold when we wakes up the Old Lady and Cornelius are well again! 

If I'm totally honest I'm not sure what message we are supposed to take from all this. Babar didn't do anything wrong, so i'm not entirely sure why he was punished, and idyllic life seems to return straight away, unchanged from the way it was before the accidents. Maybe we are being told not to take a lovely life for granted? Ideas on the back of a postcard please!

All in all, the story is rather old fashioned, not really very inspiring, and even a little confusing. Instead it is the loveable characters and Brunhoff's brightly coloured illustrations that hold the appeal. The personified elephants are a joy to behold in their suits and hats going about their business in their perfectly planned city. 

Next time i'll be looking at Joan Aiken's novel The Wolves of Willoughby Chase.

Thanks for reading, L x

No. 87 - Carrie's War

Hi all!

I finally got around to reading Carrie's War this weekend!

As I'd been avoiding reading it for such a long time I decided that I would try and read it pretty much in one go. Get it over and done with, you might say, not that I can tell you why I was so hesitant to read this book. I think maybe I'd just loss my motivation. I don't often read books in one go, it usually takes me weeks to finish a book, so I came away feeling a bit phased, like i'd been plunged into an alien world! However, this totally immersive experience did help me get to know the plot and the characters much better than if I'd read it in a more stilted way, so that was positive!

This book was not at all what I was expecting. I was expecting a fairly ordinary wartime story of evacuation. A domestic, wholesome, account of daily life in WW2, with a fair share of sadness too. Instead, Nina Bawden's book is a peculiar mix of Goodnight, Mr Tom and a Dickens novel; an interesting combination of domestic and the slightly uncanny. Carrie and her brother are sent to live in rural Wales with God-fearing shop keeper Mr Evans and his sister Lou. Aunty Lou is a lovely but timid lady, frightened of her brother's temper and very keen to please. Mr Evans is a strict, mean man, with strong religious and moral views. Carrie and Nick go to school with the other evacuees in the local chapel, and enjoy the fresh mountain air in their time off. These are all key elements that you might expect in an story about evacuees for the 8-12 age group. However, when the children are sent on an errand to Druids Bottom (no giggling please...), the house of Mr Evan's other sister, whom he disowned when she married, the tone of the story starts to change. On her death bed, Mrs Gotobed (the other sister), is looked after by her beautiful and mysterious housekeeper Hepzibah Green. Also living with the women is Mister Johnny Gotobed, a relative of the family with learning disabilities, and evacuee Albert Sandwich. It is here that it all gets a bit Dickensian! For starters the names have all the quirk of Dickens characters, and Mrs Gotobed has a slight Miss Haversham feel about her! In fact I think all the characters at Druids Bottom could have stepped out of any one of Dickens's classics. Also, due to their rural location, Druids Bottom is still living in the Victorian period, allowing for a clear contrast between the Evans' shop and the rural farmhouse. It is this other setting that made the book stand out for me.

Hepzibah Green is by far my favourite character, a caring, motherly housekeeper, rumoured to be a witch. She is always just about the serve up dinner whenever the children arrive, she is a gifted herbalist, and a very good story teller. She makes Druids Bottom a magical place, and it is around her that the story weaves itself, right up until the very end.

I don't want to give too much away, because I feel I've been doing that too much in my reviews recently, but this story is certainly set in two very different camps. There's the domestic, homely and fairly ordinary world of the Evans's and then their is the magical, valley setting of Druids Bottom, with its myths and intrigue. The actual narrative is also split between two worlds, the past and the present, as the main plot is bracketed by the older Carrie returning to Druids Bottom with her own family. This allows for a lovely little plot twist right at the very end of the book, which I wont give away!

This book was a total surprise, but I actually really enjoyed it! The cover of my copy says that Carrie's War is 'A heartwarming, unforgettable story', a sentiment I was sceptical about to begin with, but I've not been able to shake the characters and haunting plot quite yet. If you're looking for a book that explores what it was like to be an evacuee then this is not the book for you, the war is sort of incidental to the story. Instead this book is an emotional, intriguing tale of friendship, family and loyalty.

Thanks for reading, L x

Next up a firm favourite of mine, one of Jean de Brunhoff's Babar books.

Children's lit is for life not just for Christmas!

The festive season has been and gone. We're all wondering why there's still Quality Street knocking about, and whether enough time has passed to warrant buying more cheese, and for it not to count as a cheeseboard anymore...? I've just about got my head around what day of the week it is again! Thursday right? Anyway, with all the confusion comes the calm and quiet, which allows you to look back over your presents and truly appreciate what you were given by the ones you love, and what fun you had gifting things to them too. I thought I'd share with you the two beautiful children's books I was given for Christmas, and the three I chose to give to the little people in my life, and what I thought of We're Going on a Bear Hunt.

First up, Harry Potter and the Chamber of Secrets, illustrated by the incredibly talented Jim Kay! 

This book is beyond beautiful! I was keenly anticipating receiving this book for Christmas, hoping that my other half would continue the tradition he set last year when he bought me the first one, and he didn't disappoint! Hooray, and thank you Martin! I came to Harry Potter late but have since found myself totally enchanted by the Wizarding World, and Jim Kay really brings it to life in these books! The Chamber of Secrets is packed with stunning illustrations, bold double page spreads, little intriguing details and fabulous mark making. Magic oozes from it's pages, it's truly spectacular! This book is a real treasure, as is the first one, and I can't wait to see what the next one will look like!

Secondly, a touching picture book about love, loyalty, pride and a piano playing bear. 

I came across David Litchfield's debut picture book The Bear and the Piano on one of my many visits to my local Waterstones's children's section not that long ago, though it was released in 2015. We stood and poured over the enchanting illustrations, and were really touched by the story, reading it aloud like we do with every story we come across (Someone should really employ us!)! So when I unwrapped this book at Christmas I was over the moon! Again, thank you Martin! Here's a little about it.

A bear cub discovers a piano in the forest, and with it a passion for music. Returning to the piano everyday he teaches himself to play, persistently playing until the sounds he makes are beautiful. He gives performances for his fellow bears, until one day some humans suggest he could be a successful concert pianist in the city and so he goes with them. The bear becomes a huge star, packing concert halls every night, but he misses his home. Returning to the forest years later he believes that his family and friends have forgotten him, but in fact they have been keeping up with his progress and have created a shrine to him around his beloved piano, full of his CDs, newspaper cuttings and programs. This book is so tenderly written that I can't help but feel a bit teary when the bear finds his friends have not forgotten him. It's quite moving! In a good way! I urge you all, young and old, to get hold of a copy of this gorgeous book, as it definitely contains a message for all of us.

Now, from one bear to another. I wanted to quickly talk to you about the Channel 4 adaptation of We're Going on a Bear Hunt by Michael Rosen that hit our screens on Christmas Eve. I watched it on Christmas day with my mum and my boyfriend, and while they were happily enjoying the story of a children on an adventure I was a sobbing wreck! It broke me! And here's why!
The whole thing was beautifully done, using hand drawn animation that stayed true to Helen Oxenbury's delightful illustrations in the book. However, what got me was the new additions to the story. The children had clearly lost their Grandpa fairly recently according to this new version, and it was full of sentimental moments where the children remembered him whilst they were walking, and the addition of a recently widowed Granny upped the emotion considerably!  When Rosie broke away from the others in the cave and discovered the bear, made friends with him, and gave him Grandpa's scarf to keep him warm I was holding my tears back! My lip wobbled as the other children dragged the little girl away from the bear and back home. It upset me even more when, as in the book, the children locked the bear out and hid upstairs! By the time the Rosie was telling Granny that she missed Grandpa during the Christmas festivities I was a mess! The end credits rolled and I burst into uncontrollable tears! "The bear is Grandpa", I sobbed, "and the others haven't noticed!" Whether it was the exhaustion of Christmas, or whether this adaptation really had pushed all my emotional buttons it was hard to tell! I thought about it more later on and another thing struck me. Maybe the Bear wasn't Grandpa at all, but a representation of grief. The children ran away from it because they didn't want to face the loss they felt, all accept Rosie who was openly grieving for her lost grandparent. Now, I can hear you all saying "It's just a story Lottie, I can't be that deep!" But one thing my MA has taught me is that there are often a lot more layers to things than you think! But, yes, I probably read to much into it, and besides, that's not how Michael Rosen's story goes anyway! That's just a joyous exploration by children of their terrain and imaginations, without the sentimentality we all have to suffer just because it's Christmas! All in all I was impressed with the adaptation of this classic picture book, and theres a really lovely video about how it was made that you can watch here if you're interested. I just could have done without the emotional breakdown, thats all!!!



I'd also like to share with you the children's books that I gifted this Christmas too. First up Mr Creep the Crook written by Allan Ahlberg and illustrated by Andre Amstutz.

Archie, who is 5, loves Janet and Allan Ahlberg's classic picture book Burglar Bill (a fav of mine, as you all probably know by now!!). So keeping with the spirit of 'cops and robbers' I bought him this book for Christmas. Part of Allan Ahlberg's Happy Families series, a collection of 20 books all with titles like the characters from the Happy Families card game, this book is truly charming! Mr Creep is a bit naughty, much like our friend Burglar Bill! Unlike Bill though, he's been caught! When he escapes from prison he decides to take his whole family, including their rather naughty dog, to the seaside. There he learns that being bad is not all its cracked up to be. Seeing as Archie liked the humour, the story and characters of Burglar Bill I thought this book might a hit, and I really hope it is! Also he's at the age where he's learning to read and the simple text and image layout seemed to me to be a nice beginners read, and if not his sister can always read it to him!


For her, I bought Claude on the Slopes by Alex. T. Smith.

Last year I bought her Claude in the Spotlight and she loved it! So knowing she was a fan of the debonair dog and his sock sidekick I chose her another. I love the Claude books, mainly for their humour, but also for their brilliant illustrations and retro feel. Claude is pretty cute and certainly endearing, and Sir Bobblysock is about as perfect as a slightly camp, anthropomorphised sock can get! The humour is both adult and child friendly, which I think is quite important in a children's book. In this particular book Claude and Sir Bobblysock go skiing, cause an avalanche and have to become mountain rescue!! It's brilliant! I would suggest that these books are a must read for any child between the ages of about 5 and 8, or any age to be honest! You'll love them!


 And lastly, a book for a baby.

When I set out to buy a book for my friends baby boy for his first christmas I had so many ideas! I wanted to get him a real classic, a beautiful book that he'd treasure, and then I remembered, 1- he's only very small, and 2- he might have a lot of the go-to classics already, and I didn't want to double up. I came across Peekaboo Zoo by Kate Merritt quite unexpectedly and I instantly fell in love with it's bright, bold baby friendly illustrations and fun flaps to lift (I love a 'lift the flap' book!). But the clincher for me was the little mirror on the last page, which lets the baby see their own reflection after saying peekaboo to all the animals throughout the book. This was a lovely touch, and also a nice interesting visual element for James too after the static illustrations. Reflections are fascinating things after all!


Ok, so there you go, a round up of the children's book I gave, received and enjoyed over Christmas.
I hope you liked it!

Thanks for reading! L x

A Year of Reading

Happy New Year everyone!

Sitting in front of the tele on Boxing Day night I realised that it had been a whole year since I had watched the countdown of the top 50 children's books that inspired this blog, and my reading journey began!

On Jan 6th 2016 I embarked upon this project for real, and began subjecting you all to my reviews and ramblings! A whole year on and I've managed to read just over 10% of the list, which I think is pretty good, seeing as its been a part time reading challenge alongside my usual yearly book intake. So I'm 13 books down and there are many more exciting titles left to explore, such as Patrick Ness's A Monster Calls, This is Not my Hat by Jon Klassen and Old Possum's Book of Practical Cats by T.S Eliot. I'll admit that I have slowed down rather since the start of my MA in October, and I've not been devouring the books as quickly as I was during the summer. Carrie's War by Nina Bawden has been waiting patiently on my shelf for the last month! It's the next book on the list so I need to read it to get going again. I'll get on it soon! I am hoping that over the next few months I will rekindle my excitement for this project! I have promised myself that I will read more! I have also promised myself that I will keep a list of all the books I read this year, as I always seem to forget what I've read and when.

I've got a few more exciting things planned for Little Bookworm this year. I am hoping to expand what I write about, maybe a bit of critical theory, maybe a few interviews, maybe a bookshop tour or two, who knows. I just know that I should start exploring and experimenting with what I do here and hopefully good things will come of it! There has even been talk of starting a YouTube channel, so watch this space!

Anyway, this was just a quick post to mark the anniversary of my project I suppose. I'm planning another post, coming soon, about the books I received at Christmas, the ones I gifted, and I might even touch on the lovely adaptation of Michael Rosen's We're Going on a Bear Hunt too. And then of course there will be a post coming soon about Carrie's War!

Thanks for reading. L x

No.88 - The Adventures of Captain Underpants!

Captain Underpants stands for "all things pre-shrunk and cottony!" and fights crime using y-fronts! Created by friends Harold and George, the comic book hero comes to life when they hypnotise their school Principle so he believes that he is in fact the pant-clad superhero! Dav Pilkey's wonderfully silly story The Adventures of Captain Underpants is the only book I know to claim to have both 'Wedgie Power' and 'Flip-o-Rama', and what a difference that makes! No, honestly! This is a classic book for reluctant readers! The good smattering of toilet humour is an instant attraction! This particular story includes as rubber dog poo, a evil villain in a nappy who falls foul to said poo (no pun intended), and a good amount of references to pants! It is also full of practical jokes, general mischief and downright silliness. The perfect combination!

When my boyfriend came over on Friday afternoon he found me at my desk whisking off emails to various people and having a think about my upcoming essay (more about that another day). Whilst I finished my admin he picked up the copy of The Wind in the Willows that was on my desk and proceeded to read excerpts to me, with all the voices! This was of course hilarious, so we decided to find other things he could read. We decided that The Adventures of Captain Underpants should be next! He'd read it when he was small and was keen to relive the adventure! So we snuggled up in my room and spent the whole afternoon reading. It was lovely! I faintly remember having read this book when I was small, but I wasn't sure, so I came to it with hardly any prior knowledge. It was great! I think having it read to me, complete with a myriad of American accents (!), made it all the better. I can't imagine having put that amount of animation or expression into it had I read it quietly to myself. He made it really enjoyable! 

So just for you, here is a taster of Martin reading Captain Underpants. George and Harold have just been busted by their Principle for causing havoc at a school football game, uh oh! (If you can't see the video below then you can watch it here)

I asked Martin why the Captain Underpants books appealed to him when he was small?

" I immediately found the idea of it really funny. I loved reading them because I loved the style and the humour and how the illustrations would tell their own mini stories in tandem with the text, like George and Harold changing around the letters on the school signs to make rude and silly phrases. For small books a huge amount was contained in them. The stories were hugely eventful, and each book would include an issue of George and Harold's Captain Underpants to read as part of the story (which resonated with me as a boy because I saw myself in that. I too loved writing). There was also a cool section in each book called Flip-o-rama which involved flipping a page back and fourth to animate two images which was loads of fun. I think the best part of Captain Underpants was that they were just plain funny and I remember the books were a good way of bringing me and my peers at primary school together, as we had that humour in common. "

I too remember these books being a huge hit with boys when I was growing up, and to be fair they probably still are. It has been proven that boys come to reading in a different way to girls, and that often they are slower to pick up the reading bug. The Captain Underpants books seem to be the remedy to this. My experience is that once hooked boys seem to devour the whole series, and come out of it wanting to read. I showed just the cover to my cousin Archie, who's five, and he was instantly interested, I didn't even need to read it! These, and other series that attract boys like magnets, should be treasured! We need more!

I would thoroughly recommend The Adventure of Captain Underpants to any one who fancies a laugh! It is the perfect book for reading aloud and will delight children and adults alike!

Thanks for reading, and listening! L x

Next up Carrie's War by Nina Bawden.